Wang Bing is one of the greatest documentary-makers alive today, and his films offer a very insightful overview of the transformations occurring in Chinese society. Here, Dominique Auvray conducts an interview that, in addition to the biographical information, focuses above all on the relationship with things unsaid: Wang Bing attempts to do justice to his theme and the testimonies he’s gathered, but he stumbles over the words, struggling to keep his emotions in check. The pain of tackling history shows through the awkward speech.

A portrait of the filmmaker and documenta 14 artist Wang Bing (winner of the Locarno Festival's Golden Leopard for "Mrs. Fang"). Wang Bing shot his previous films digitally, for example "15 Hours" which consists of a single 15-hour long shot. In Kassel, he bought his first Bolex (16 mm camera). With a stopwatch, he tests how long he film can film at a time.

For over twenty years, Robert Guédiguian has been making films that occupy an essential place in French cinema. In film after film, he evokes the social chronicle of his working-class childhood. We witness an adventure rich in reflections on the film director’s profession, political commitment, the intimate relation between real and fictional characters, and a shared desire to create.

This correspondence between Spanish auteur Jaime Rosales and critical chronicler of contemporary China Wang Bing is divided into three short films each consisting of documentary observations.

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Biopic of French film pioneer Alice Guy-Blaché, considered the world's first female director, who directed, produced and/or supervised over 700 films between 1896 an the 1920s, in France and, for a period, in the US.

Wang Dang is the real-time story of a washed-up director who's come to an unnamed film school to speak on the adventures of his career and ends up entertaining two nubile graduate students in his seedy off-campus motel room